LOTTE
ANDERSeN






is a British artist working in the Americas.

Her work deals with movement, music and popular culture. Her work has been featured in Conceptual Fine Arts, Pin-Up Magazine, Vogue, Dazed, ID, FAD, The Guardian, This Long Century amongst others. Her work has been exhibited at DaadGalerie in Berlin, David Kordansky in LA, Nina Johnson in Miami, the Whitechapel Gallery and Rose Easton in London, Storage; by Hyunday Card in Seoul, La Casa Encendida in Madrid, Helena Anrather and Francis Irv in New York and amongst others. 

Andersen’s work has been shown internationally for the past decade, entering prominent public and private collections around the world, most recently at the Studio Museum in Harlem. She has presented performances at Tate Modern, The Victoria and Albert Museum in London, The Museum of Modern Art Mexico City, amongst others.

She founded MAXILLA a space active between 2010-2015, where she built a scene of artists, photographers, designers, gallerists and critics, documented by Joe Ridout in 2015.

Listen to her interview on Vynil Glossolalia with Rose Easton here.

She has studios in Mexico City and Lima having taught on the sculpture MA at the Royal College of Art in London. Andersen speaks fluent English, French and Spanish. 




I made this in January 2025,

a little before i got married







CHOAS HAS NO MORALITY

2023, 
10mins 43secs

The installation plays 2 compositions;10 Ideaologies (2022) A lullaby written by Lotte Andersen and performed by Nancy Andersen. Lullaby for Expansion (2022). Keys written and arranged Alonso Leon-Velarde, played Toby Andersen and mastered by Ian Duclos


 Studio Jan 2024 Mexico City
                                                                                                                                                      photographed
                                                                                                                                                                        by Az Guirey



Monday 25th November 2024


I MAKE WORK ABOUT WEAVING, UNIFYING THOUGHTS, MOVING THROUGH STATES, HIERARCHY,

POP

and MUSIC. 


 

PUzzLes

..........games and movement serve as devices to reflect on feelings of fragmentation and the power inherent in many pieces coming together to form a nuanced whole.













 

I've wanted to add for so long, I love Combi Versace so much by rosalia as it’s so close to why are friend Electric and i love that synthesizer sound so much with her vocal range. And only a sicko would forget to mention the Sugarbabes bootleg that they then recorded as a single, FREAK LIKE ME.








DANCE THERAPY

2017-2024
Her approach to materiality is mirrored across mediums. Themes are cobbled together, whether working in collage, sculpture, video or audio samples. Considering sound as a physical object in space, she works with the idea that echoic (sound) memory is stored for longer periods than iconic (visual) memory.

Working with archives of images and sound, she is interested in the power of the role of the archivist, to foreground or background certain information. In this way the politics of the edit; either subtle or violent, are of interest whilst considering the impact of biases.















Collage


2022-25

Her collages continue upon these themes,
layering found posters, photography, archival family photos and news clippings 


I
made these in over the pst 6 months, worked on them in London, San Francisco, Lima, Madrid... They were shown at Nina Johnson Gallery











CV+

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ANDERSeN is particularly interested in POP culture








Maxilla poster, 2013




andersen’s studio practice insists that music is the most important artform of the 21st century











11.25.2024BEEN thinking about this studio recently. 
Also I have only been listening to Channel Beads, Re-entry by Sampha and a track by Deux Filles


























HOW DO YOU FEEL ABOUT LYING?

2018,
ft Shygirl
Tate Modern
London





CV+

News*













Andersen’s work forms an investigation into group dynamics, movement, its propertie. Puzzles serve as devices to reflect on feelings of fragmentation as well as the power inherent in many pieces composing a nuanced whole.

The works function like relics, revealing a residue or core in the process of deconstructing the installation, prompting the viewer into the narrative of her wider practice. Joy is an act of resistance


Andersen is a visiting lecturer on the Sculpture Masters program at the Royal College of Art, London, UK. 














Installation View































 

                                                        













                                                      
             
                                                     




























                                                                   


All Imagery Copywright of Lotte Andersen